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FRIDAY DINGERS - 12.12.25

  • Writer: The Real Ding
    The Real Ding
  • 6 hours ago
  • 2 min read

Leodis - ‘Days Like These’


Leodis return with ‘Days Like These’, a reflective single that began as a breakup song in 2021 but has since deepened into a meditation on loss, change and learning to live without someone you love. Revisited with time and perspective, it speaks to the universal experience of moving forward while still having moments that pull you right back to where it all began.



Nino Mayanna - ‘Aje’


Nino Mayanna returns with ‘Aje’, a vibrant Afrobeat–R&B–pop fusion rooted in determination, self-belief and the resilience that has defined her extraordinary life journey. Rising from the streets of Lagos to unexpected royalty, surviving a devastating gas explosion, and forging a groundbreaking artistic path, the UK-based singer channels authenticity and hard-won strength into her boldest release yet.



Oliver Anderson - ‘To Kill A Saint’


Oliver Anderson unleashes ‘To Kill A Saint’, a gritty five-track EP led by its explosive title track, diving head-first into taboo themes, political anger and the darkest corners of the human psyche. Crafted with producer Jennings Couch, the project showcases Anderson’s evolution from punchy alt-rock to brooding punk-grunge intensity, solidifying him as one of the UK’s most provocative rising artists.



Joe Galuszka - ‘The Quiet Was Loud’


Joe Galuszka makes his debut with ‘The Quiet Was Loud’, a wintry, neoclassical lead single from his forthcoming EP ‘Fractures’, blending ambient textures with orchestral depth to explore themes of grief, resilience and emotional renewal. Written on a train journey to reunite with his father after 12 years and later expanded into a full orchestration, the piece reflects the Bristol-based composer’s award-winning cinematic instincts and evolving artistry.



The Ingrid - ‘Limerence’


The Ingrid introduce themselves with ‘Limerence’, a shimmering debut single built on hazy guitars and Jess Charleslyn’s emotive vocals, tracing a journey through obsession, self-sabotage and acceptance. Shaped in collaboration with legendary producer Greg Walsh, the track marks the arrival of a band committed to bold artistry and modern experimentation.



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